Eunha KimFH-027
The Visitation, 2026
Oil on canvas
60 × 48 in | 152.4 × 121.9 cm
Courtesy: Artist and FLOHAUS Gallery
4191 × 5283 px · 4.0 MB · JPGCatalog source file
PRESS ROOM / 2026
FLOHAUS Gallery Booth D10
Five artists. A shared psychological landscape.
December 1–5, 2026
Ice Palace Studios · Miami
01 / IMAGE LIBRARY
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02 / THE ARTISTS
Eunha Kim is a Korean-born artist based in New York City whose practice spans painting, ceramics, and mixed media. She received her MFA in Painting from Hunter College and her BFA from the California College of the Arts. Rooted in her diasporic experience, her work inhabits the space where myth and daily life converge. Drawing from Korean Minhwa folk painting, everyday observation, and the compositional language of Western painting, she explores themes of displacement, visibility, and belonging. Her work has been exhibited throughout the United States and in Seoul.
Jeong Hur (b. 1991, Seoul, South Korea) is an artist based in Brooklyn whose practice moves between sculpture, installation, and photography. Working with pine wood, hanji, pigment, and light, Hur received his MFA in Photo, Video and Related Media from the School of Visual Arts, New York, in 2020. His work has been presented in solo and two-person exhibitions at THE BLANC (New York) and floor__ (Seoul), and in group exhibitions at Bronx Council on the Arts, Academy Art Museum (Maryland), CICA Museum (South Korea), UltraSuperNew (Tokyo), and venues across New York, Berlin, Seoul, and Tokyo. He is a 2025 Homiens Art Prize Finalist and a 2024 MyMA Grant Finalist. His work has received recognition from the International Photography Awards (IPA), Prix de la Photographie Paris (PX3), Moscow International Foto Awards (MIFA), and the New York Center for Photographic Art. His work and practice have been featured by Hyperallergic, Tussle Magazine, and other international publications.
About the Practice
Jeong Hur works across sculpture, photography, and painting to explore how experiences accumulate into memories, and how those memories shift as they are revisited. Combining paper pulp, acrylic, photographic imagery, and sculptural construction, he transforms fragments of everyday life into tactile surfaces suspended between image and object.
In his earlier works, Hur layers, colors, and grinds paper pulp, allowing irregular forms and unexpected patterns to emerge. Photographic images are transferred, obscured, or reworked within these surfaces, suggesting memories that fade, distort, and acquire new meanings over time. Rather than presenting a fixed personal narrative, these works leave room for viewers to recognize something of their own experiences.
His recent works extend these questions through pine frames, hanji, pigment, and light. Adjustable structures and translucent paper create shifting relationships between concealment and visibility. Across both bodies of work, meaning remains open: shaped by accumulated experience, material encounters, and the position from which we look.
Mishel Valenton (b. 1982, Manila,Philippines) is a Filipino-American immigrant artist currently living in Richmond, VA. She graduated from the University of the Philippines with a focus in Studio Arts in 2004. She migrated to the United States the same year. Her work focuses on color-centric, expressive figuration, with her latest paintings exploring the intersection of the personal and the political. Mishel has shown in group exhibitions across the U.S., and most recently in a two-person exhibition at the Brattleboro Museum in Vermont and a solo exhibition at ADA Gallery, Richmond, VA.
Sherly Fan (b.1996, China) is a multidisciplinary artist working across painting, sculpture, performance, and immersive installation. She received her MFA from Duke University in 2023. Her practice explores vulnerability through the visual language of cuteness, using pastel aesthetics and plush-inspired animal figures to examine emotions often dismissed as excessive, childish, or unserious. Fan’s work has been presented at the Museum of Chinese in America (MOCA), MoMA PS1’s Printed Matter Art Book Fair, 14C Art Fair, Fort Gallery, VillageOne Art, The BLANC, and John Molloy Gallery. Her works juxtapose softness with tension, using sweetness as both an invitation and a form of resistance.
Soobin Jeon (b. 1989, New Jersey) is a Korean American mixed-media artist based in Boston, Massachusetts. Jeon received her BFA in Graphic Design from the School of Visual Arts, New York, in 2012, and is currently affiliated with the Harvard Ceramics Program, where she has developed an expanded material practice centered on clay. Working across disciplines, she translates imagined forms, personal symbols, and emotional states into tactile objects that balance playfulness with psychological depth. Her work has been exhibited at Flowing Space Gallery (New York), Allen Street Gallery (New York), Saint Kate – The Arts Hotel (Milwaukee), Satchel Projects (New York), 81 Leonard Gallery (New York), and the Harvard Ceramics Program (Boston). She has participated in artist residencies including Fabrica (Italy), the School of Visual Arts Artist Residency, and Uncool Artist Residency. Her work has been featured in Whitehot Magazine and Curbed.
03 / CURATORIAL STATEMENT
FLOHAUS Gallery
NADA Miami 2026 · Booth D10
Bringing together five artists working across painting and sculpture, FLOHAUS Gallery’s presentation constructs a shared psychological landscape shaped by emotional expression, sensory experience, and contemporary forms of figuration. Drawing from a renewed interest in expressionism among emerging artists, the booth explores how color, materiality, memory, and atmosphere can create spaces for reflection within the overstimulated conditions of contemporary urban life.
The presentation is rooted in a simple belief: beyond documenting history or representing ideas, art has long served as a way for people to process experience, project emotion, and connect with something beyond themselves. In a cultural environment increasingly shaped by speed, distraction, and image consumption, the booth proposes a slower and more attentive encounter: one that invites viewers to pause, reflect, and reconnect with their own emotional and sensory experience.
Across the presentation, bodies dissolve into color, surfaces carry unexpected weight, and familiar symbols appear suspended between comfort and unease. The works move through perception, longing, anxiety, intimacy, and imagination, constructing an environment that feels simultaneously inviting, dreamlike, and slightly unstable.
Each artist contributes a distinct perspective to this shared environment. Soobin Jeon’s ceramic sculptures transform familiar symbols into playful but fragile emotional markers that balance comfort, vulnerability, and uncertainty. Jeong Hur’s wall-based works combine photography, paper, and sculptural construction to explore memory, perception, and the unstable boundaries between image and object, drawing attention to experiences that remain unresolved or only partially remembered. Mishel Valenton’s layered figurative paintings capture the emotional density of contemporary social life, where personal experience and collective reality continuously overlap. Eunha Kim’s paintings and ceramic works draw on Korean folklore, personal memory, and the visual language of Western painting to explore displacement, visibility, and belonging. Sherly Fan’s practice employs cuteness, ornamentation, and softness to reveal the tensions that often exist beneath contemporary experiences of intimacy, vulnerability, and self-protection.
Together, the works form an immersive environment that responds to the emotional conditions of contemporary life while reasserting one of art’s oldest functions: its ability to create recognition, empathy, reflection, and connection. Within the visual intensity of the art fair, the booth offers a space that is both emotionally resonant and psychologically open, a shared interior where viewers may encounter fragments of themselves through the experiences, memories, and perceptions of others.
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